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Evokation
  
 
Index
  

 

 

 

THE NUCLEAR FAMILY 1969

 

 

 

I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I ALWAYS AM

 

 

 

Y
=
3
``-
3
YOU
61
16
7
A
=
1
-
3
ARE
24
15
6
G
=
7
-
5
GOING
52
34
7
O
=
6
-
2
ON
29
11
2
A
=
1
-
1
A
1
1
1
J
=
1
``-
7
JOURNEY
108
36
9
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
S
=
1
-
7
SPECIAL
65
29
2
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
``-
2
DO
19
10
1
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
P
=
7
-
8
PLEASANT
88
25
7
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
``-
2
DO
19
10
1
``-
-
55
``-
54
First Total
790
304
79
-
-
5+5
-
5+4
Add to Reduce
7+9+0
3+0+4
7+9
-
-
10
-
9
Second Total
16
7
16
-
-
1+0
-
-
Reduce to Deduce
1+6
-
1+6
-
-
1
-
9
Essence of Number
7
7
7

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
Z
=
8
-
4
ZERO
64
28
1
C
=
3
-
6
COMETH
64
28
1
O
=
6
-
3
ONE
34
16
7
Q
Q
29
Q
18
Q
239
95
14
-
-
2+9
-
1+8
-
2+3+9
9+5
1+4
-
-
11
-
9
-
14
14
5
-
-
1+1
-
-
-
1+4
1+4
-
-
-
2
-
9
-
5
5
5

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

-
MATHEMATICS
-
-
-
4
MATH
42
15
6
2
ME
18
9
9
2
AT
21
3
3
1
I
9
9
9
2
CS
22
4
4
11
MATHEMATICS
112
40
31
1+1
-
1+1+2
4+0
3+1
2
MATHEMATICS
4
4
4

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

9
LANGUAGES
87
33
6
3
AND
19
10
1
7
NUMBERS
92
29
2
19
-
198
72
9
1+9
-
1+9+8
7+2
-
10
-
18
9
9
1+0
-
1+8
-
-
1
-
9
9
9

 

 

L
=
3
-
8
LANGUAGE
68
32
5
T
=
2
-
7
TALKING
74
29
2
N
=
5
-
7
NUMBERS
92
29
2
-
=
10
-
22
-
234
90
9
-
=
1+0
-
2+2
-
2+3+4
9+0
-
-
=
1
-
4
-
9
9
9

 

 

T
=
2
-
9
THE
33
15
6
E
=
5
-
3
ENGLISH
74
29
2
A
=
1
-
7
ALPHABET
65
29
2
-
-
8
-
19
-
172
73
10
-
-
4+6
-
1+9
-
1+7+2
7+3
1+0
-
-
8
-
10
-
10
10
1
-
-
-
-
1+0
-
1+0
1+0
-
-
-
8
-
1
-
1
1
1

 

 

-
-
-
-
-
LANGUAGE
-
-
-
L
=
3
-
2
L+A+N
27
9
9
A
=
1
-
2
G+U+A+G
18
18
9
N
=
5
-
3
E
5
5
5
-
-
32
-
8
LANGUAGE
68
32
32
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
5
-
8
LANGUAGE
14
5
5
-
-
-
-
-
-
1+4
-
-
-
-
5
-
8
LANGUAGE
5
5
5

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

 

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

NUMBER

9

The Search for the Sigma Code

Cecil Balmond

Page 45

"From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over"


FROM ANCIENT TIMES NINE WAS SEEN AS A FULL COMPLEMENT

IT WAS THE CUP OF SPECIAL PROMISE THAT BRIMMED OVER

 

 

"TIME PRESENT AND TIME PAST ARE BOTH PERHAPS PRESENT IN TIME FUTURE

AND TIME FUTURE CONTAINED IN TIME PAST"

 

 

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.


T.S. Eliot 1936

BURNT NORTON
(No. 1 of 'Four Quartets')

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
3
-
5
-
-
8
9
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
3
-
5
-
7
8
9
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
3
4
5
-
-
8
9
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
3
-
5
-
-
8
9
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
3
-
5
6
-
8
9
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
3
-
5
6
-
8
9
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
3
-
5
-
7
8
9
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
3
-
5
-
-
8
9
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
3
4
5
-
-
8
9
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
3
-
5
6
-
8
9
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
3
-
5
-
-
8
9
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
3
-
5
-
-
8
9
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
3
-
5
-
-
8
9
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
3
4
5
-
-
8
9
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
3
4
5
-
-
8
9
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
3
-
5
6
-
8
9
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
3
-
5
6
-
8
9
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
3
-
5
6
-
8
9
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
3
-
5
-
7
8
9
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
3
-
5
-
7
8
9
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
4
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
4
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
4
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
6
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
6
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
6
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
7
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
7
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
8
18
14
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
1+8
1+4
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
8
9
5

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
45
-
-
-
41
-
54
 Add
687
300
48
-
1
2
6
4
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
9
-
N
=
5
10
5
NINTH
65
29
2
-
-
2
-
-
-
-
-
-
-
7
-
S
=
1
8
7
SEVENTH
93
30
3
-
-
-
3
-
-
-
-
-
-
8
-
E
=
5
9
6
EIGHTH
57
39
3
-
-
-
3
-
-
-
-
-
-
5
-
F
=
6
6
5
FIFTH
49
31
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THIRD
59
32
5
-
-
-
-
-
5
-
-
-
-
2
-
S
=
1
3
6
SECOND
60
24
6
-
-
-
-
-
-
6
-
-
-
4
-
F
=
6
5
6
FOURTH
88
34
7
-
-
-
-
-
-
-
7
-
-
6
-
S
=
1
7
5
SIXTH
80
26
8
-
-
-
-
-
-
-
-
8
-
1
-
F
=
6
2
5
FIRST
72
27
9
-
-
-
-
-
-
-
-
-
9
45
-
-
-
41
-
54
 Add
687
300
48
-
1
2
6
4
5
6
7
8
9
4+5
-
-
-
4+1
-
5+4
Reduce
6+8+7
3+0+0
4+8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Deduce
21
3
12
-
1
2
6
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce
2+1
-
1+2
-
-
-
-
-
-
-
-
-
-
9
-
-
-
5
-
9
Essence
3
3
3
-
1
2
6
4
5
6
7
8
9

 

 

-
THE SOLAR SYSTEM
-
-
-
3
THE
33
15
6
5
SOLAR
65
29
2
6
SYSTEM
101
38
2
14
THE SOLAR SYSTEM
199
82
10
1+4
-
1+9+9
8+2
1+0
5
THE SOLAR SYSTEM
19
10
1
-
-
1+9
1+0
-
5
THE SOLAR SYSTEM
10
1
1
-
-
1+0
-
-
5
THE SOLAR SYSTEM
1
1
1

 

Order Of the Planets From The Sun - Universe Today
https://www.universetoday.com/72305/order-of-the-planets-from-the-sun/

25 Nov 2015 - Here are the planets listed in order of their distance from the Sun:
Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune.

 

3
SUN
54
9
9
7
MERCURY
103
40
4
5
VENUS
81
18
9
5
EARTH
52
25
7
4
MOON
57
21
3
4
MARS
51
15
6
7
JUPITER
99
36
9
6
SATURN
93
21
3
6
URANUS
94
22
4
7
NEPTUNE
95
32
5
5
PLUTO
84
21
3
59
First Total
863
260
62
5+9
Add to Reduce
8+6+3
2+6+0
1+0
14
Second Total
17
8
8
1+4
Reduce to Deduce
1+7
-
-
5
Essence of Number
8
8
8

 

SUN MERCURY VENUS EARTH MOON MARS JUPITER SATURN URANUS NEPTUNE PLUTO

 

P
L
A
N
E
T
S
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SUN
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
S
=
1
-
-
S
19
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
0
-
-
-
9
-
3
SUN
54
9
9
=
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MERCURY
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
-
-
M
13
4
4
-
-
-
-
-
-
4
-
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
C
=
3
-
-
C
3
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
Y
=
7
-
-
Y
25
7
7
-
-
-
-
-
-
-
-
-
7
-
-
1
-
-
-
40
-
7
MERCURY
103
40
40
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
VENUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
V
=
4
-
-
V
22
4
4
-
-
-
-
-
-
4
-
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
S
=
1
-
-
S
19
1
1
-
-
-
1
-
-
-
-
-
-
-
-
2
-
-
-
18
-
5
VENUS
81
18
18
=
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
EARTH
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
A
=
1
-
-
A
1
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
T
=
2
-
-
T
20
2
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
H
=
8
-
-
H
8
8
8
-
-
-
-
-
-
-
-
-
-
8
-
3
-
-
-
25
-
5
EARTH
52
25
25
=
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MOON
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
-
-
M
13
4
4
-
-
-
-
-
-
4
-
-
-
-
-
-
-
O
=
5
-
-
O
15
6
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
O
=
6
-
-
O
15
6
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
4
-
-
-
21
-
4
MOON
57
21
21
=
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
MARS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
-
-
M
13
4
4
-
-
-
-
-
-
4
-
-
-
-
-
-
-
A
=
1
-
-
A
1
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
S
=
1
-
-
S
19
1
1
-
-
-
1
-
-
-
-
-
-
-
-
5
-
-
-
15
-
4
MARS
51
15
15
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
JUPITER
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
J
=
1
-
-
J
10
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
P
=
7
-
-
P
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
I
=
9
-
-
I
9
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
T
=
2
-
-
T
20
2
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
36
-
7
JUPITER
99
36
36
=
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
SATURN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
-
S
19
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
A
=
1
-
-
A
1
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
T
=
2
-
-
T
20
2
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
7
-
-
-
21
-
6
SATURN
93
21
21
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
URANUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
R
=
9
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
A
=
1
-
-
A
1
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
S
=
1
-
-
S
19
1
1
-
-
-
1
-
-
-
-
-
-
-
-
8
-
-
-
22
-
6
URANUS
94
22
22
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
NEPTUNE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
P
=
7
-
-
P
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
T
=
2
-
-
T
20
2
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
N
=
5
5
-
N
14
5
5
-
-
-
-
-
-
-
5
-
-
-
-
-
-
E
=
5
5
-
E
5
5
5
-
-
-
-
-
-
-
5
-
-
-
-
9
-
-
-
32
-
7
NEPTUNE
95
32
32
=
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
PLUTO
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
-
P
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
-
-
L
=
3
-
-
L
12
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
U
=
3
-
-
U
21
3
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
T
=
2
-
-
T
20
2
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
O
=
5
-
-
O
15
6
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
21
-
5
PLUTO
84
21
21
=
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
59
First Total
863
260
62
-
-
-
10
10
33
16
65
18
28
8
72
-
-
-
-
-
-
5+9
Add to Reduce
8+6+3
2+6+0
1+0
-
-
-
1+0
1+0
3+3
1+6
6+5
1+8
2+8
-
7+2
-
-
-
-
-
-
14
Second Total
17
8
8
-
-
-
1
1
6
7
11
9
10
8
9
-
-
-
-
-
-
1+4
Reduce to Deduce
1+7
-
-
-
-
-
-
-
-
-
1+1
-
1+0
-
-
-
-
-
-
-
-
5
Essence of Number
8
8
8
-
-
-
1
1
6
7
2
9
1
8
9

 

SUN MERCURY VENUS EARTH MOON MARS JUPITER SATURN URANUS NEPTUNE PLUTO

 

 

FINGERPRINTS OF THE GODS

Graham Hancock 1995

Once and Future King

Page 71

"There are curious parallels here to the story of Osiris, the ancient Egyptian high god of death and resurrection. The fullest account of the original myth defining this mysterious figure is given by Plutarch4"

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann 1934

Page 888

"To put it bluntly someone had been conspiring against the Pharaoh's life - "

Page 889

"And yet the woman had been in her time a favourite concubine of the Pharaoh, and twelve or thirteen years before, when he still condescended to beget a child, she had born him a son,"

Page 890

"The ancient records dazed her small and scheming brain, so that she made up her mind to have Pharaoh stung by a serpent, to instigate a palace revolt and set on the throne of the two lands not Horus Amenhotep, the rightful heir, who was sickly anyhow, but the fruits of her own womb,..."

 

Page 890 (8x9x0=72)

"In all there were two-and-seventy conspirators privy to the plot. It was a proper and a pregnant number, for their had been just seventy-two when red Set lured Usir into the chest. And these seventy-two in their turn had had good cosmic ground to be no more or less than that number."

"It was decided to put poison in Pharaoh's bread or his wine or in both; and to use the ensuing confusion for a palace coup."

Page 891

"And then all at once the lid blew off."

"The Isis of the women's house was straightway strangled by eunuchs, her little son was sent into outermost Nubia and a secret commision met to investigate the whole scheme and each particular guilt."

"Meanwhile the persons thus exposed were labelled in one common epithet: "Abhorred of the two lands"; while cruel distortions were made of their personal ones, under which they disappeared into various custodies to await their fates in circumstances quite foreign to their usual habits"

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann 1934

Page 889

"...Tiy, the great Royal consort herself,..."

 

 

EgyptSearch Forums: Mystery of the screaming mummy 8 Nov 2008 ... Their findings suggest that Man E is indeed Prince Pentewere, elder son of Rameses III, who, with his mother, Tiy, had evolved a plan to ...www.egyptsearch.com/forums/ultimatebb

The Mystery of Unknown Man E Maspero suggested that the mummy was that of Prince Pentewere, the son of Ramesses III (1185-1153 B.C.) who was involved in a conspiracy against his father. ... www.archaeology.org/0603/abstracts/mysteryman.html

Abstracts: The harem conspiracy. The mystery of Unknown Man E ... Ramesses III died later but trials of the conspiration were carried out that are detailed on papyrus and queen Tiy and Prince Pentewere were allowed to ... www.faqs.org/abstracts/Anthropology-archeology-folklore/The-harem-conspiracy-The-mystery-of-Unknown-Man-E.html -

 

A wall painting of pharoah Rameses III. The pharoah faced plots by his elder son Prince Pentewere and wife Tiy to dethrone him. Some believe that Man E is Prince Pentewere

'The scroll tells us that the coup was very quickly discovered and the plotters brought to trial,' she explained. 'They were sentenced to death, but the papyrus also tells us that Pentewere was spared this fate. Perhaps because of his royal status he was allowed to commit suicide.'

He would almost certainly have done so, she says, by drinking poison.

Yet other findings from the 1886 postmortem seemed to dispute the body might be that of Pentewere. It suggested that Man E had been buried with his internal organs intact, which was extraordinarily unusual, even for a traitor, and a boost to theories that the body had been mummified elsewhere at the time - or had not even been Egyptian at all.

Some academics believed that the body may have been that of a rival Hittite prince, basing their theory on a letter written by Tutankhamun's widow Ankhesenamun.

The pharaoh died without leaving an heir and, in her letter, his wife had appealed to the then King of the Hittites that he allow her to marry one of his sons, who would become king and ensure her own continuing power.

Man E, some academics believed, was just such a prince, one who had travelled to Egypt to meet with his new bride and befallen a cruel and murderous fate.

Yet today's forensic findings seemed to dispute this theory: a modern 3D scan showed the mummy had been completely eviscerated, as was customary for important Egyptians.

Studies: The mummy's remains undergo a 3D scan, which showed that the body was completely eviscerated, as his customary for important Egyptians

Moreover, new analysis of the condition of his joints and teeth also appeared to overturn earlier theories as to the mummy's age at the time of death: Fouquet had believed him to be in his early 20s, too young for Pentewere. Now, it seemed, he could have been anywhere up to the age of 40, consistent again with Rameses' son.

Equally revealing was a full facial reconstruction. Using modern forensic techniques, a 3D image of Man E's skull was created, revealing what would have been a strong and handsome face, with a prominent nose and long jaw - features which do not correlate with a Hittite background.

Egyptians had a long lower face and an extended cranium from the forehead to the back of the head, as did Man E, suggesting he's a ancient Egyptian.

There are, of course, still anomalies - the sheepskin covering, the unorthodox way the body was preserved without a name.

The passing of the centuries has ensured that some of the Screaming Man's secrets are destined to remain unsolved, and as Dylan Bickerstaffe, an eminent Egyptologist, puts it, 'With some questions we found the answers to be more ordinary than we thought,' he says. 'But we've also answered others and found the answers to be much stranger.'

It is certainly enough to convince Dr Hawass, who now believes that this most enduring of Egyptian mysteries has been solved.

'It seems to me this man has been sitting in the Cairo Museum waiting for someone to identify him,' he says. 'Now I really do believe that this unknown man is not unknown any more.' Secrets Of Egypt, Five Thursday, 8pm.

 

 

FIVE 5 FIVE

 

-
-
-
-
-
PRINCE PENTEWERE
-
-
-
P
=
7
-
6
PRINCE
65
38
2
P
=
7
-
9
PENTEWERE
111
48
3
-
-
14
-
15
PRINCE PENTEWERE
176
86
5
-
-
1+4
-
1+5
-
1+7+6
8+6
-
Q
-
5
-
6
PRINCE PENTEWERE
14
14
5
-
-
-
-
-
-
1+4
1+4
-
-
-
5
-
5
PRINCE PENTEWERE
5
5
5

 

 

-
-
-
-
-
PRINCE PENTEWERE
-
-
-
-
-
-
-
-
PRINCE
-
-
-
P
=
7
-
3
PRI
43
25
7
N
=
5
-
1
N
14
5
5
C
=
3
-
1
C
3
3
3
E
=
5
-
1
E
5
5
5
-
-
-
-
-
PENTEWERE
-
-
-
P
=
7
-
1
P
16
7
7
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
T
=
2
-
1
T
2
2
2
E
=
5
-
1
E
5
5
5
W
=
5
-
1
W
23
5
5
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
-
-
68
-
15
PRINCE PENTEWERE
176
86
68
-
-
6+8
-
1+5
-
1+7+6
8+6
6+8
Q
-
14
-
6
PRINCE PENTEWERE
14
14
14
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
5
-
6
PRINCE PENTEWERE
5
5
5

 

 

-
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
5
-
-
-
-
-
5
-
-
-
-
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
-
9
14
-
-
-
-
-
14
-
-
-
-
-
-
+
=
37
3+7
=
10
1+0
1
=
1
-
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
7
9
-
-
3
5
-
7
5
-
2
5
5
5
9
5
+
=
67
6+7
=
13
1+3
4
=
4
-
-
16
18
-
-
3
5
-
16
5
-
20
5
23
5
18
5
+
=
139
1+3+9
=
13
1+0
4
=
4
-
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
16
18
9
14
3
5
-
16
5
14
20
5
23
5
18
5
+
=
176
1+7+6
=
14
1+4
5
=
5
-
-
7
9
9
5
3
5
-
7
5
5
2
5
5
5
9
5
+
=
86
8+6
=
14
1+4
5
=
5
-
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
5
-
-
5
5
-
5
5
5
-
5
-
-
5
occurs
x
8
=
40
4+0
4
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
3
=
27
2+7
9
19
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
26
-
-
15
-
86
-
23
1+9
1+5
-
-
-
5
-
5
-
-
5
5
-
5
5
5
-
5
-
-
2+6
-
-
1+5
-
8+6
-
2+3
10
6
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
8
-
-
6
-
14
-
5
1+0
-
7
9
9
5
3
5
-
7
5
5
2
5
-
5
9
5
-
-
-
-
-
-
-
1+4
-
-
1
6
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
8
-
-
6
-
5
-
5

 

 

15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
-
9
5
-
-
-
-
-
5
-
-
-
-
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
9
14
-
-
-
-
-
14
-
-
-
-
-
-
+
=
37
3+7
=
10
1+0
1
=
1
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
7
9
-
-
3
5
-
7
5
-
2
5
5
5
9
5
+
=
67
6+7
=
13
1+3
4
=
4
-
16
18
-
-
3
5
-
16
5
-
20
5
23
5
18
5
+
=
139
1+3+9
=
13
1+0
4
=
4
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
16
18
9
14
3
5
-
16
5
14
20
5
23
5
18
5
+
=
176
1+7+6
=
14
1+4
5
=
5
-
7
9
9
5
3
5
-
7
5
5
2
5
5
5
9
5
+
=
86
8+6
=
14
1+4
5
=
5
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
5
-
5
-
-
5
5
-
5
5
5
-
5
-
-
5
occurs
x
8
=
40
4+0
4
-
7
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
3
=
27
2+7
9
15
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
26
-
-
15
-
86
-
23
1+5
-
-
-
5
-
5
-
-
5
5
-
5
5
5
-
5
-
-
2+6
-
-
1+5
-
8+6
-
2+3
6
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
8
-
-
6
-
14
-
5
-
7
9
9
5
3
5
-
7
5
5
2
5
-
5
9
5
-
-
-
-
-
-
-
1+4
-
-
6
P
R
I
N
C
E
-
P
E
N
T
E
W
E
R
E
-
-
8
-
-
6
-
5
-
5

 

 

A wall painting of pharoah Rameses III. The pharoah faced plots by his elder son Prince Pentewere and wife Tiy to dethrone him. Some believe that Man E is Prince Pentewere

'The scroll tells us that the coup was very quickly discovered and the plotters brought to trial,' she explained. 'They were sentenced to death, but the papyrus also tells us that Pentewere was spared this fate. Perhaps because of his royal status he was allowed to commit suicide.'

He would almost certainly have done so, she says, by drinking poison.

Yet other findings from the 1886 postmortem seemed to dispute the body might be that of Pentewere. It suggested that Man E had been buried with his internal organs intact, which was extraordinarily unusual, even for a traitor, and a boost to theories that the body had been mummified elsewhere at the time - or had not even been Egyptian at all.

Some academics believed that the body may have been that of a rival Hittite prince, basing their theory on a letter written by Tutankhamun's widow Ankhesenamun.

The pharaoh died without leaving an heir and, in her letter, his wife had appealed to the then King of the Hittites that he allow her to marry one of his sons, who would become king and ensure her own continuing power.

Man E, some academics believed, was just such a prince, one who had travelled to Egypt to meet with his new bride and befallen a cruel and murderous fate.

Yet today's forensic findings seemed to dispute this theory: a modern 3D scan showed the mummy had been completely eviscerated, as was customary for important Egyptians.

Studies: The mummy's remains undergo a 3D scan, which showed that the body was completely eviscerated, as his customary for important Egyptians

Moreover, new analysis of the condition of his joints and teeth also appeared to overturn earlier theories as to the mummy's age at the time of death: Fouquet had believed him to be in his early 20s, too young for Pentewere. Now, it seemed, he could have been anywhere up to the age of 40, consistent again with Rameses' son.

Equally revealing was a full facial reconstruction. Using modern forensic techniques, a 3D image of Man E's skull was created, revealing what would have been a strong and handsome face, with a prominent nose and long jaw - features which do not correlate with a Hittite background.

Egyptians had a long lower face and an extended cranium from the forehead to the back of the head, as did Man E, suggesting he's a ancient Egyptian.

There are, of course, still anomalies - the sheepskin covering, the unorthodox way the body was preserved without a name.

The passing of the centuries has ensured that some of the Screaming Man's secrets are destined to remain unsolved, and as Dylan Bickerstaffe, an eminent Egyptologist, puts it, 'With some questions we found the answers to be more ordinary than we thought,' he says. 'But we've also answered others and found the answers to be much stranger.'

It is certainly enough to convince Dr Hawass, who now believes that this most enduring of Egyptian mysteries has been solved.

'It seems to me this man has been sitting in the Cairo Museum waiting for someone to identify him,' he says. 'Now I really do believe that this unknown man is not unknown any more.' Secrets Of Egypt, Five Thursday, 8pm.

 

FIVE 5 FIVE

 

-
-
-
-
-
PRINCE PENTEWERE
-
-
-
P
=
7
-
6
PRINCE
65
38
2
P
=
7
-
9
PENTEWERE
111
48
3
-
-
14
-
15
PRINCE PENTEWERE
176
86
5
-
-
1+4
-
1+5
-
1+7+6
8+6
-
Q
-
5
-
6
PRINCE PENTEWERE
14
14
5
-
-
-
-
-
-
1+4
1+4
-
-
-
5
-
5
PRINCE PENTEWERE
5
5
5

 

 

-
-
-
-
-
PRINCE PENTEWERE
-
-
-
-
-
-
-
-
PRINCE
-
-
-
P
=
7
-
3
PRI
43
25
7
N
=
5
-
1
N
14
5
5
C
=
3
-
1
C
3
3
3
E
=
5
-
1
E
5
5
5
-
-
-
-
-
PENTEWERE
-
-
-
P
=
7
-
1
P
16
7
7
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
T
=
2
-
1
T
2
2
2
E
=
5
-
1
E
5
5
5
W
=
5
-
1
W
23
5
5
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
-
-
68
-
15
PRINCE PENTEWERE
176
86
68
-
-
6+8
-
1+5
-
1+7+6
8+6
6+8
Q
-
14
-
6
PRINCE PENTEWERE
14
14
14
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
5
-
6
PRINCE PENTEWERE
5
5
5

 

 
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
-
15
PRINCE PENTEWERE
176
86
68
-
-
-
-
-
-
-
-
-
-
-
-
1+7+6
8+6
6+8
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PRINCE PENTEWERE
14
14
14
-
-
-
-
-
-
-
-
-
-
-
-
12
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
6
PRINCE PENTEWERE
5
5
5
-
1
2
3
4
5
6
7
8
9
P
=
7
1
1
P
16
7
7
-
1
-
-
4
-
6
7
8
-
R
=
9
2
1
R
18
9
9
-
1
-
-
4
-
6
-
8
9
I
=
9
3
1
I
9
9
9
-
1
-
-
4
-
6
-
8
9
N
=
5
4
1
N
14
5
5
-
1
-
-
4
5
6
-
8
-
C
=
3
5
1
C
3
3
3
-
1
-
3
4
-
6
-
8
-
E
=
5
6
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
P
=
7
7
1
P
16
7
7
-
1
-
-
4
-
6
7
8
-
E
=
5
8
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
N
=
5
9
1
N
14
5
5
-
1
-
-
4
5
6
-
8
-
T
=
2
10
1
T
20
2
2
-
1
2
-
4
-
6
-
8
-
E
=
5
11
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
W
=
5
12
1
W
23
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
13
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
R
=
9
14
1
R
18
9
9
-
1
-
-
4
-
6
-
8
9
E
=
5
15
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
40
6
14
8
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4+0
-
1+4
-
2+7
-
-
86
-
15
PRINCE PENTEWERE
176
86
86
-
1
2
3
4
4
6
5
8
9
-
-
8+6
-
1+5
-
1+7+6
8+6
8+6
-
-
-
-
-
-
-
-
-
-
-
-
14
-
6
PRINCE PENTEWERE
14
14
14
-
1
2
3
4
4
6
5
8
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
PRINCE PENTEWERE
5
5
5
-
1
2
3
4
4
6
5
8
9

 

 
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
-
15
PRINCE PENTEWERE
176
86
68
-
-
-
-
-
-
-
-
-
-
-
-
1+7+6
8+6
6+8
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PRINCE PENTEWERE
14
14
14
-
-
-
-
-
-
-
-
-
-
-
-
12
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
6
PRINCE PENTEWERE
5
5
5
-
1
2
3
4
5
6
7
8
9
T
=
2
10
1
T
20
2
2
-
1
2
-
4
-
6
-
8
-
C
=
3
5
1
C
3
3
3
-
1
-
3
4
-
6
-
8
-
N
=
5
4
1
N
14
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
6
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
8
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
N
=
5
9
1
N
14
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
11
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
W
=
5
12
1
W
23
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
13
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
E
=
5
15
1
E
5
5
5
-
1
-
-
4
5
6
-
8
-
P
=
7
1
1
P
16
7
7
-
1
-
-
4
-
6
7
8
-
P
=
7
7
1
P
16
7
7
-
1
-
-
4
-
6
7
8
-
R
=
9
2
1
R
18
9
9
-
1
-
-
4
-
6
-
8
9
I
=
9
3
1
I
9
9
9
-
1
-
-
4
-
6
-
8
9
R
=
9
14
1
R
18
9
9
-
1
-
-
4
-
6
-
8
9
-
-
-
-
-
-
-
-
-
-
1
2
3
4
40
6
14
8
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4+0
-
1+4
-
2+7
-
-
86
-
15
PRINCE PENTEWERE
176
86
86
-
1
2
3
4
4
6
5
8
9
-
-
8+6
-
1+5
-
1+7+6
8+6
8+6
-
-
-
-
-
-
-
-
-
-
-
-
14
-
6
PRINCE PENTEWERE
14
14
14
-
1
2
3
4
4
6
5
8
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
PRINCE PENTEWERE
5
5
5
-
1
2
3
4
4
6
5
8
9

 

1+4 = 5 = 1+4

6+8 = 14 = 1+4 = 5 = 1+4 = 14 = 6+8

7+7 = 14 = 1+4 = 5 = 1+4 = 14 = 7+7

 
-
-
-
-
-
-
-
-
-
2
3
5
7
9
P
=
7
-
15
PRINCE PENTEWERE
176
86
68
-
-
-
-
-
-
-
-
1+7+6
8+6
6+8
-
-
-
-
-
-
P
=
7
-
6
PRINCE PENTEWERE
14
14
14
-
-
-
-
-
-
-
-
12
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
6
PRINCE PENTEWERE
5
5
5
-
2
3
5
7
9
T
=
2
10
1
T
20
2
2
-
2
-
-
-
-
C
=
3
5
1
C
3
3
3
-
-
3
-
-
-
N
=
5
4
1
N
14
5
5
-
-
-
5
-
-
E
=
5
6
1
E
5
5
5
-
-
-
5
-
-
E
=
5
8
1
E
5
5
5
-
-
-
5
-
-
N
=
5
9
1
N
14
5
5
-
-
-
5
-
-
E
=
5
11
1
E
5
5
5
-
-
-
5
-
-
W
=
5
12
1
W
23
5
5
-
-
-
5
-
-
E
=
5
13
1
E
5
5
5
-
-
-
5
-
-
E
=
5
15
1
E
5
5
5
-
-
-
5
-
-
P
=
7
1
1
P
16
7
7
-
-
-
-
7
-
P
=
7
7
1
P
16
7
7
-
-
-
-
7
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
9
I
=
9
3
1
I
9
9
9
-
-
-
-
-
9
R
=
9
14
1
R
18
9
9
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
2
3
40
14
27
-
-
-
-
-
-
-
-
-
-
-
-
4+0
1+4
2+7
-
-
86
-
15
PRINCE PENTEWERE
176
86
86
-
2
3
4
5
9
-
-
8+6
-
1+5
-
1+7+6
8+6
8+6
-
-
-
-
-
-
-
-
14
-
6
PRINCE PENTEWERE
14
14
14
-
2
3
4
5
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
5
-
6
PRINCE PENTEWERE
5
5
5
-
2
3
4
5
9

 

 

-
-
-
-
-
PRINCE PENTEWERE
-
-
-
P
=
7
-
6
PRINCE
65
38
2
P
=
7
-
9
PENTEWERE
111
48
3
-
-
14
-
15
PRINCE PENTEWERE
176
86
5
-
-
1+4
-
1+5
-
1+7+6
8+6
-
Q
-
5
-
6
PRINCE PENTEWERE
14
14
5
-
-
-
-
-
-
1+4
1+4
-
-
-
5
-
5
PRINCE PENTEWERE
5
5
5

 

 

Daily Mail,Tuesday, December 1, 2015

Page 58

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

QUESTION Ramesses II claimed a great victory af the — Battle of Kadesh and erected monuments and temples to the victory. But did he, In fact, lose this battle?

THE Poem of Pentaur is Ramesses II's official Egyptian record (along with The Bulletin) of his military victory over Hittite King Muwatalli II at the Battle of Kadesh (in what is now Syria) in 1273 or 1274 BC.

To reinforce the idea of his success, he had the poem inscribed on the walls of temples at Abydos, Luxor, Karnak, Abu Simbel and in his Ramesseum. It details his personal bravery and concludes that `all the lands and all the foreign countries being fallen prostrate beneath his sandals for eternity and everlasting'.

The first scholarly report on the battle, by James Henry Breasted in 1903, interpreted the poem as historical fact. But later evidence and a scoffing complaint by Hattusili, the Hittite king's brother, about the pharaoh's victorious depiction of the battle can be found in the Papyrus Raifet and Papyrus Sallie III.

The Hittites, an ancient Anatolian people whose capital was at Hattusa, now in central Turkey, had long been making incursions into Egypt. Ramesses II resolved to drive the menace from his borders once and for all.

The lynchpin to his campaign was the city of Kadesh, a centre of commerce at the time, held by the Hittites.

Ramesses marched from Egypt at the head of more than 20,000 men, divided into four divisions. He led the Amun‘ division with the Re, Ptah and Set divisions following. King Muwatalli assembled an army of his allies to prevent this invasion of his territory.

Over-enthusiastically, Ramesses -outran the rest of his force, and after hearing unreliable intelligence regarding the Hittite position from a pair of captured prisoners, he pitched his camp close to the town.

The Hittite armies, hidden behind the town, launched a surprise attack against the Amun division and quickly sent it scattering. Ramesses tried to rally his troops against the onslaught of Hittite chariots, but it wasn't until the arrival of relief forces from Amurru that the Hittite attack was forced back.

The Egyptians avoided an outright disaster at Kadesh, but it was a stalemate rather than the splendid victory that Ramesses later sought to portray.

After an unsuccessful attempt to gain further ground the following day, Ramesses headed back south to Egypt, bragging about his personal achievements in the battle.

The fact that the Hittites continued to occupy the city of Kadesh after the battle (and harried trade caravans from that site) supports their claim to having scored a victory over Ramesses.

But in the battle, the Pharoah and his army had driven the enemy from the field, inflicting heavy casualties (a claim supported by both accounts) and returned to Egypt with his forces intact.

The Battle of Kadesh has great historical significance in that it led directly to the world's first known peace treaty, in 1258 BC, in which Ramesses II of Egypt and Hattusili of the Hittites promised to respect each other's boundaries and not make war between their kingdoms.
Peter Smith, Durham.

 

 

 

 

DAILY MAIL

WEEKEND MAGAZINE

8 November 2008

Mystery of the screaming mummy

Kathryn Knight

It was a blood-curdling discovery. The mummy of a young man with his hands and feed bound, his face contorted in an eternal scream of pain. But who was he and how did he die?

On a scorching hot day at the end of June 1886, Gaston Maspero, head of the Egyptian Antiquities Service, was unwrapping the mummies of the 40 kings and queens found a few years earlier in an astonishing hidden cache near the Valley of the Kings.

The 1881 discovery of the tombs, in the Deir El Bahri valley, 300 miles south of Cairo, had been astonishing and plentiful. Hidden from the world for centuries were some of the great Egyptian pharaohs - Rameses the Great, Seti I and Tuthmosis III. Yet this body, buried alongside them, was different, entombed inside a plain, undecorated coffin that offered no clues to the deceased's identity.

It was an unexpected puzzle and, once the coffin was opened, Maspero found himself even more shocked.

Unexpected: Alongside the remains of great Egyptian pharoahs lay the body of a young man, his face locked in an eternal blood-curdling scream, in a plain, undecorated coffin

There, wrapped in a sheep or goatskin - a ritually unclean object for ancient Egyptians - lay the body of a young man, his face locked in an eternal blood-curdling scream. It was a spine-tingling sight, and one that posed even more troubling questions: here was a mummy, carefully preserved, yet caught in the moment of death in apparently excrutiating pain.

He had been buried in exalted company, yet been left without an inscription, ensuring he would be consigned to eternal damnation, as the ancient Egyptians believed identity was the key to entering the afterlife. Moreover, his hands and feet had been so tightly bound that marks still remained on the bones.

Who could he be, this screaming man, assigned the anonymous label 'Man E' in the absence of a proper name?

 

-
-
-
-
-
MAN E
-
-
-
M
=
4
-
3
MAN
28
10
1
E
=
5
-
1
E
5
5
5
-
-
11
-
7
MAN E
33
15
15
-
-
1+1
-
-
-
3+3
1+5
1+5
-
-
2
-
7
MAN E
6
6
6

 

NAME MAN E MAN NAME

 

-
-
-
-
-
NAME
-
-
-
N
=
5
-
1
N
14
5
5
A
=
1
-
1
A
1
1
1
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
-
-
15
-
4
NAME
33
15
15
-
-
1+5
-
-
-
3+3
1+5
1+5
-
-
6
-
4
NAME
6
6
6

 

An autopsy, performed by physicians in 1886 in the presence of Maspero, did little to shed any light on the subject.

One of the physicians, Daniel Fouquet, believed the contracted shape of his stomach cavity showed he had been poisoned, writing in his report that 'the last convulsions of horrid agony can, after thousands of years, still be seen' - yet his science was unable to help him ascertain why.

Even marrying these findings with historical documents only allowed experts to speculate. Some believed 'Man E' was the traitor son of Rameses III, who'd been involved in a coup to remove him from the throne, others that he was an Egyptian governor who had died abroad and been returned to his homeland for burial. Some believed the unconventional manner of his mummification showed that he was not Egyptian at all, but a member of a rival Hittite dynasty, who had died on Egyptian soil.

All explanations were possible, yet Man E's true identity seemed destined to remain a mystery.

 

 

Hidden from the world for centuries, buried beneath the vast desert sands, the magnificent Deir El Bahri temple (pictured) where Man E, the 'screaming mummy', was discovered

As Dr Zahi Hawass, Secretary General of Egypt's Supreme Council of Antiquities, puts it, 'We'd never seen a mummy like this, suffering. It's not normal, and it tells us something happened, but we did not know exactly what.'

Until now. Today, nearly 130 years after his body was first uncovered, a team of scientists has brought the wonders of modern forensic techniques to bear on the enigma.

Using sophisticated-technology, including CT scanning, Xrays and facial reconstruction, to examine the mummy, they uncovered tantalising new clues that could reveal his identity, all under the watchful eye of Five's TV crew, who are making a series of documentaries hoping to unravel some of Egypt's great secrets.

Their findings suggest that Man E is indeed Prince Pentewere, elder son of Rameses III, who, with his mother, Tiy, had evolved a plan to assassinate the pharaoh and ascend to the throne.

 

NAME MAN E MAN NAME

 

-
-
-
-
-
NAME
-
-
-
M
=
4
-
1
MAN
28
10
1
E
=
5
-
1
E
5
5
5
-
-
9
-
4
NAME
33
15
15
-
-
-
-
-
-
3+3
1+5
1+5
-
-
9
-
4
NAME
6
6
6

 

Certainly, the theory has a number of supporters. Among them is Dr Susan Redford, an Egyptologist from Pennsylvania State University, who points out that an ancient papyrus scroll details a plot by Tiy to dethrone Rameses III in favour of their son, even though he was not the nominated heir.

The plot was apparently supported by a number of high level courtiers, suggesting that they felt Pentewere had a legitimate claim, even though the accession was usually thought to be divinely ordained.

 

 

 

Daily Mail. Tuesday. March 31, 2015

Page 68

The point of pentangles

ANSWERS TO CORRESPONDENTS

QUESTION
Which culture first used the pentangle and how did it become associated with the occult?

THE pentangle is usually represented as the pentagram, a five-pointed, linear star within a circle, worn or drawn with the point facing up.

It served to mark directions in Sumerian texts, dating from about 30BC, and is found in most early cultures. The ancient Greeks established its symbolic status.

Greek mathematician and philosopher Pythagoras believed five was the number of perfection, because of the fivefold division of the body (head, arms and legs outstretched) mirroring the division of the soul into fire, water, air, earth and psyche. The Pythagoreans held the pentacle sacred to Hygeia, the goddess of healing.

Early Christians wore the pentagram to represent the five wounds of Christ and to symbolise thefive senses.

In the 14th-century English poem Sir Gawain And The Green Knight, the symbol decorates the shield of the hero, Gawain. The anonymous poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is keen in his five senses, dextrous in his five fingers, faithful to the salvation provided through the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus and exemplifies the five virtues of knighthood.

Renaissance-era ritual magicians, Henry Cornelius Agrippa von Nettesheim (14861535) and Giordano Bruno (1548-1600), used the pentagram to represent the perfection of the human body. To Bruno, five was the `number of the soul' because the human form is bound by five outer points. He warned magicians and sorcerers could perform spells by using the pentagram as it was a window to the soul.

As Bruno and other Renaissance philosophers and magicians were executed under the Inquisition, perhaps the symbol came to be associated with evil forces.

By the mid-19th century, a further distinction had developed among occultists regarding the pentagram's orientation. With a single point upwards it depicted a spirit presiding over the four elements of matter and was essentially 'good'.

Occultists and satanists now claimed that the inverted pentagram was evil, the sign of the Devil even. Influential French occultist Eliphas Levi (1810-75) stated: 'A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. 'It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates.'

Symbolic: Anton LaVey, of the Church of Satan, with an inverted pentangle (image omitted)

Brian Cummings, Hay-on-Wye, Powys.

 

 

THE NEW VIEW OVER ATLANTIS

John Michell 1983

Page 150

"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,

PYRAMID = 86 = PYRAMID

PYRAMID = 41 = PYRAMID

PYRAMID = 5 = PYRAMID

Five is the number chiefly associated with the pyramid form; which has five faces and five corners,

 

 

-
-
-
-
-
PYRAMID
-
-
-
-
-
-
-
1
P+Y
41
14
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
A+M
14
5
5
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
D
4
4
P
=
7
-
7
PYRAMID
86
41
32
-
-
-
-
-
-
8+6
4+1
3+2
P
=
7
-
7
PYRAMID
14
5
5
-
-
-
-
-
-
1+4
-
-
P
=
7
-
7
PYRAMID
5
5
5

 

Y RAM MARY MARY Y RAM

 

-
-
-
-
-
PYRAMID
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
Y
25
7
7
-
-
-
-
1
R
18
9
9
-
-
-
-
1
A
1
1
1
-
-
-
-
1
M
13
4
4
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
4
4
4
P
=
7
-
7
PYRAMID
86
41
41
-
-
-
-
-
-
8+6
4+1
4+1
P
=
7
-
7
PYRAMID
14
5
5
-
-
-
-
-
-
1+4
-
-
P
=
7
-
7
PYRAMID
5
5
5

 

 

-
-
-
-
-
PYRE
-
-
-
-
-
-
-
2
P+Y
41
14
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
E
5
5
5
P
=
7
-
4-
PYRE
-
-
-
-
-
-
-
-
AMID
-
-
-
-
-
-
-
2
A+M
14
5
5
-
-
-
-
1
I
9
9
9
-
-
-
-
1
D
4
4
4
A
=
1
-
-
AMID
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
-
91
46
37
-
-
-
-
-
-
8+6
4+6
3+7
-
-
8
-
8
-
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
8
-
8
-
1
1
1

 

PYRE AMIDST THE STONE

 

P
=
7
-
7
PYRAMID
86
41
5
P
=
7
-
7
PHARAOH
67
40
4
-
-
14
-
14
Add to Reduce
153
81
9
-
-
1+4
-
1+4
Reduce to Deduce
1+5+3
8+1
1+8
-
-
5
-
5
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
P
=
7
-
7
PYRAMID
86
41
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GIZA
43
25
7
-
-
29
-
21
First Total
234
117
27
-
-
2+9
-
2+1
Add to Reduce
2+3+4
1+1+7
2+7
-
-
11
-
3
Second Total
9
9
9
-
-
1+1
-
-
Reduce to Deduce
-
-
-
-
-
2
-
3
Essence of Number
9
9
9

 

 

4
ISIS
56
20
2
6
OSIRIS
89
35
8
5
ORION
71
35
8

 

 

-
-
-
-
-
OSIRIS
-
-
-
I
=
9
-
1
I
9
9
9
R
=
9
-
1
R
18
9
9
I
=
9
-
1
I
9
9
9
S
=
1
-
3
SOS
53
26
8
-
-
28
-
6
OSIRIS
89
53
35
-
-
2+8
-
-
-
8+9
5+3
3+5
-
-
10
-
6
OSIRIS
17
8
8
-
-
1+0
-
-
-
1+7
-
-
-
-
1
-
6
OSIRIS
8
8
8

 

 

-
-
-
-
-
OSIRIS
-
-
-
S
=
1
-
3
SO
34
16
7
I
=
9
-
1
I
9
9
9
R
=
9
-
1
R
18
9
9
I
=
9
-
1
IS
28
10
1
-
-
28
Q
6
OSIRIS
89
53
35
-
-
2+8
-
-
-
8+9
5+3
3+5
-
-
10
-
6
OSIRIS
17
8
8
-
-
1+0
-
-
-
1+7
-
-
-
-
1
-
6
OSIRIS
8
8
8

 

 

 

-
EGYPT
-
-
-
-
-
-
1
E
5
5
5
--
-
5
1
G
7
7
7
-
7
-
1
Y
25
7
7
-
7
-
1
P
16
7
7
-
7
-
1
T
20
2
2
--
-
2
5
EGYPT
73
28
28
-
21
7
-
-
7+3
2+8
2+8
-
2+1
-
5
EGYPT
10
10
10
--
3
7
-
-
1+0
1+0
1+0
-
-
-
5
EGYPT
1
7
7
--
3
7

 

 

PLUTARCH

MORALIA

Edited by G. P. Goold 1936

Page 194

"THE E AT DELPHI"

 

THE 5 AT DELPHI

 

 

ISIS HORUS OSIRIS

THAT

CHRISTOS OF SPIRIT THAT SPIRIT OF CHRISTOS

 

 

T
=
2
-
3
THE
33
15
6
E
=
5
-
1
E
5
5
5
A
=
1
-
2
AT
21
3
3
D
=
4
-
6
DELPHI
54
36
9
-
-
12
-
12
First Total
113
59
23
-
-
1+2
-
1+2
Add to Reduce
1+1+3
5+9
2+3
Q
-
3
-
3
Second Total
5
14
5
-
-
-
-
-
Reduce to Deduce
-
1+4
=
-
-
3
-
3
Essence of Number
5
5
5

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

5


To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

 

 

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

O
=
15
ONE
3
-
34
16
7
-
1
T
=
20
TWO
3
-
58
13
4
-
2
T
=
20
THREE
5
-
56
29
2
-
3
F
=
6
FOUR
4
-
60
24
6
-
4
-
-
61
Add
15
-
208
82
19
-
10
-
-
6+1
Reduce
-
-
2+0+8
8+2
1+9
-
1+0
-
-
7
Reduce
6
-
10
10
10
-
1
-
-
-
Deduce
-
-
1+0
1+0
1+0
-
-
-
-
7
Essence
6
-
1
1
1
-
1

N
=
14
NINE
4
-
42
24
6
-
9
E
=
5
EIGHT
5
-
49
31
4
-
8
S
=
19
SEVEN
5
-
65
20
2
-
7
S
=
19
SIX
3
-
52
16
7
-
6
-
-
57
Add
17
-
208
91
19
-
30
-
-
5+7
Reduce
1+7
-
2+0+8
9+1
1+9
-
3+0
-
-
12
Reduce
8
-
10
10
10
-
3
-
-
1+2
Deduce
-
-
1+0
1+0
1+0
-
-
-
-
3
Essence
8
-
1
1
1
-
3

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

3
ONE
34
16
7
-
3
SIX
52
16
7
3
TWO
58
13
4
-
5
SEVEN
65
20
2
5
THREE
56
29
2
-
5
EIGHT
49
31
4
4
FOUR
60
24
6
-
4
NINE
42
24
6
15
Add
208
82
19
-
17
Add
208
91
19
1+5
Reduce
2+0+8
8+2
1+9
-
1+7
Reduce
2+0+8
9+1
1+9
6
Reduce
10
10
10
-
8
Reduce
10
10
10
-
Deduce
1+0
1+0
1+0
-
-
Deduce
1+0
1+0
1+0
6
Essence
1
1
1
-
8
Essence
1
1
1

 

 

 

N
=
5
-
7
NUMBERS
92
29
2
A
=
1
-
3
AND
19
10
1
L
=
3
-
9
LANGUAGES
87
33
6
S
-
9
4
19
Add to Reduce
198
72
9
-
-
-
-
1+9
Reduce to Deduce
1+9+8
7+2
-
S
-
9
4
10
Add to Reduce
18
9
9
-
-
-
-
1+0
Reduce to Deduce
1+8
-
-
-
-
9
-
1
Essence of Number
9
9
9

 

 

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

-
ARK OF THE COVENANT
-
-
-
3
ARK
30
12
3
2
OF
21
12
3
3
THE
33
15
6
8
COVENANT
94
31
4
16
ARK OF THE COVENANT
178
70
16
1+6
-
1+7+8
7+0
1+6
7
ARK OF THE COVENANT
16
7
7
-
-
1+6
-
-
7
ARK OF THE COVENANT
7
7
7

 

 

TO WHOM IT MAY CONCERN

THOU ART BEING WEIGHED IN THE BALANCES WILT THOU BE FOUND WANTING

?

S
=
1
-
4
SOUL
67
13
4
S
=
1
-
7
SO-U-LIVE
103
31
4
S
=
1
-
8
SO-U-LEARN
105
33
6
S
=
1
-
7
SO -U-LOVE
109
28
1
S
=
1
-
9
SO -U-LIGHT- R
129
48
3
S
-
5
4
35
Add to Reduce
513
153
18
-
-
-
-
3+5
Reduce to Deduce
5+1+3
1+5+3
1+8
-
-
5
-
8
Essence of Number
9
9
9

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

3
THE
33
15
6
3
SON
48
12
3
2
OF
21
12
3
3
THE
33
15
6
3
SUN
54
9
9
14
First Total
189
63
27
1+4
Add to Reduce
1+8+9
6+3
2+7
5
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
5
Essence of Number
9
9
9

 

 

3
THE
33
15
6
3
SUN
54
18
9
3
GOD
26
17
8
9
Add to Reduce
113
50
23
-
Reduce to Deduce
1+1+3
5+0
2+3
9
Essence of Number
5
5
5

 

 
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
9
THE SUN GOD
113
50
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
-
-
-
33
15
15
6
-
-
-
-
-
-
-
-
-
S
=
1
-
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
-
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
9
-
-
-
-
54
18
9
9
-
-
-
-
-
-
-
-
-
G
=
7
-
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
8
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
D
=
4
-
9
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
-
-
17
-
-
-
-
26
17
17
8
-
-
-
-
-
-
-
-
-
-
-
41
-
4
9
THE SUN GOD
113
50
41
-
1
2
3
4
10
6
7
8
9
-
-
4+1
-
-
-
-
1+1+3
5+0
4+1
-
-
-
-
-
1+0
-
-
-
-
Q
-
5
-
-
9
THE SUN GOD
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
9
THE SUN GOD
113
50
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
H
=
8
-
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
E
=
5
-
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
S
=
1
-
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
9
U
=
3
-
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
9
N
=
5
-
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
G
=
7
-
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
9
O
=
6
-
8
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
D
=
4
-
9
1
D
4
4
4
-
-
-
-
4
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
41
-
4
9
THE SUN GOD
113
50
41
-
1
2
3
4
10
6
7
8
9
-
-
4+1
-
-
-
-
1+1+3
5+0
4+1
-
-
-
-
-
1+0
-
-
-
-
Q
-
5
-
-
9
THE SUN GOD
5
5
5
-
1
2
3
4
1
6
7
8
9

 

RE 95 RE

REARRANGED NUMERICALLY REARRANGED

RE 95 RE

 
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
9
THE SUN GOD
113
50
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
4
1
S
19
10
1
-
1
-
-
-
-
-
-
-
9
T
=
2
-
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
U
=
3
-
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
9
D
=
4
-
9
1
D
4
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
-
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
-
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
O
=
6
-
8
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
G
=
7
-
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
9
H
=
8
-
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
41
-
4
9
THE SUN GOD
113
50
41
-
1
2
3
4
10
6
7
8
9
-
-
4+1
-
-
-
-
1+1+3
5+0
4+1
-
-
-
-
-
1+0
-
-
-
-
Q
-
5
-
-
9
THE SUN GOD
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

 

 

2
RE
23
14
5
3
THE
33
15
6
3
SUN
54
18
9
3
GOD
26
17
8
11
First Total
136
64
28
1+1
Add to Reduce
1+3+6
6+4
2+8
2
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
2
Essence of Number
1
1
1

 

 

 

-
PROMETHEUS
-
-
-
1
P
16
7
7
1
R
18
9
9
1
O
15
6
6
1
M
13
4
4
1
E
5
5
5
1
T
20
2
2
1
H
8
8
8
1
E
5
5
5
1
U
21
3
3
1
S
19
10
1
10
PROMETHEUS
140
59
50
1+0
-
1+4+0
5+9
5+0
1
PROMETHEUS
5
14
5
-
-
-
1+4
-
1
PROMETHEUS
5
5
5

 

 

-
-
-
-
-
PROMETHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
50

-
10
PROMETHEUS
140
59
50
-
1
2
3
4
10
6
7
8
9
-
-
5+0
-
1+0
-
1+4+0
5+9
5+0
-
-
-
-
-
1+0
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
14
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
PROMETHEUS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
50

-
10
PROMETHEUS
140
59
50
-
1
2
3
4
10
6
7
8
9
-
-
5+0
-
1+0
-
1+4+0
5+9
5+0
-
-
-
-
-
1+0
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
14
5
-
1
2
3
4
1
6
7
8
9
-
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
1
PROMETHEUS
5
5
5
-
1
2
3
4
1
6
7
8
9

 

 

-
PROMETHEUS
-
-
-
1
P
16
7
7
1
R
18
9
9
1
O
15
6
6
1
M
13
4
4
1
E
5
5
5
1
T
20
2
2
1
H
8
8
8
1
E
5
5
5
1
U
21
3
3
1
S
19
10
1
10
PROMETHEUS
140
59
50
1+0
-
1+4+0
5+9
5+0
1
PROMETHEUS
5
14
5
-
-
-
1+4
-
1
PROMETHEUS
5
5
5

 

 

N
=
5
-
4
NINE
42
24
6
N
=
5
-
6
NINETY
87
33
6
N
=
5
-
4
NINE
42
24
6
S
-
15
4
14
Add to Reduce
171
81
18
-
-
1+5
-
1+4
Reduce to Deduce
1+7+1
8+1
1+8
S
-
6
4
5
Essence of Number
9
9
9

 

 

12
VESICA PISCIS
-
-
-
-
VESICA
-
-
-
-
V+E
27
9
9
T
S
19
10
1
-
I
9
9
9
-
C+A
4
4
4
-
PISCIS
-
-
-
-
P
16
7
7
T
I
9
9
9
-
S
19
10
1
-
C+I+S
31
22
4
12
VESICA PISCIS
134
80
44
1+2
-
1+3+4
8+0
4+4
3
VESICA PISCIS
8
8
8

 

 

V
=
4
-
6
VESICA
59
32
5
P
=
7
-
6
PISCIS
75
48
3
-
-
11
4
12
First Total
134
80
8
-
-
1+1
-
1+2
Add to Reduce
1+3+4
8+0
-
-
-
2
-
3
Second Total
8
8
8
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
2
-
3
Essence of Number
8
4
8

 

 

T
=
2
-
3
THE
33
15
6
V
=
4
-
6
VESICA
59
32
5
P
=
7
-
6
PISCIS
75
48
3
-
-
13
4
15
First Total
167
95
14
-
-
1+3
-
1+5
Add to Reduce
1+6+7
9+5
1+4
-
-
4
-
6
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
4
-
6
Essence of Number
5
5
5


Vesica piscis - Wikipedia
https://en.wikipedia.org › wiki › Vesica_piscis

The vesica piscis is a type of lens, a mathematical shape formed by the intersection of two disks with the same radius, intersecting in such a way that the center of each disk lies on the perimeter of the other.
Vesica piscis
From Wikipedia, the free encyclopedia

"Fish bladder" redirects here. For swim bladder of a fish, see swim bladder.

The vesica piscis is the intersection of two congruent disks, each centered on the perimeter of the other.
The vesica piscis is a type of lens, a mathematical shape formed by the intersection of two disks with the same radius, intersecting in such a way that the center of each disk lies on the perimeter of the other.[1] In Latin, "vesica piscis" literally means "bladder of a fish", reflecting the shape's resemblance to the conjoined dual air bladders ("swim bladder") found in most fish. In Italian, the shape's name is mandorla ("almond").

The vesica piscis in Euclid's Elements
This figure appears in the first proposition of Euclid's Elements, where it forms the first step in constructing an equilateral triangle using a compass and straightedge. The triangle has as its vertices the two disk centers and one of the two sharp corners of the vesica piscis.[2]

Mathematically, the vesica piscis is a special case of a lens, the shape formed by the intersection of two disks.

The mathematical ratio of the height of the vesica piscis to the width across its center is the square root of 3, or 1.7320508... (since if straight lines are drawn connecting the centers of the two circles with each other and with the two points where the circles intersect, two equilateral triangles join along an edge). The ratios 265:153 = 1.7320261... and 1351:780 = 1.7320513... are two of a series of approximations to this value, each with the property that no better approximation can be obtained with smaller whole numbers. Archimedes of Syracuse, in his On the Measurement of the Circle, uses these ratios as upper and lower bounds:[3]

 

Vesica Piscis - Crystalinks
https://www.crystalinks.com › vesicapiscis
The vesica piscis is a type of lens, a mathematical shape formed by the intersection of two disks with the same radius, intersecting in such a way that the center ...

 

The Symbolic Meaning of the Vesica Piscis | Master Mind Content
https://mastermindcontent.co.uk › the-symbolic-meaning-of-the-vesica-piscis

22 Nov 2016 - The central shape of the Vesica Piscis, known as the 'bladder of the fish' is, therefore, the soul. The soul is pure consciousness. Jesus essentially represents pure consciousness because he was the perfect man.

 

vesica-piscis - Spiritus Lumine
https://spirituslumine.com › vesica-piscis

28 Jul 2018 - Vesica Piscis is an ancient symbol that represents the uniting of heaven and earth and our masculine and feminine energies.

 

 

The Vesica Piscis — Krystleyez
https://www.krystleyez.com › the-vesica-piscis

In sacred geometry, polarity can be understood through the vesica piscis, the name for a geometric relationship between two interconnected spheres. The vesica ...

 

 

T
=
2
-
3
THE
33
15
6
V
=
4
-
6
VESICA
59
32
5
P
=
7
-
6
PISCIS
75
48
3
-
-
13
4
15
First Total
167
95
14
-
-
1+3
-
1+5
Add to Reduce
1+6+7
9+5
1+4
-
-
4
-
6
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
4
-
6
Essence of Number
5
5
5

 

 

-
-
-
-
-
THE VESICA PISCES
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
V
=
4
-
6
VESICA
50
23
5
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
4
15
First Total
158
86
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
6
-
-
-
O
=
6
2
1
H
8
8
8
-
-
-
-
-
-
6
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
-
-
15
-
-
-
33
15
15
-
-
-
-
-
-
-
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
6
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
6
-
-
-
-
-
14
-
-
-
59
32
14
-
-
-
-
-
-
-
-
-
-
P
=
7
10
1
P
16
7
7
-
-
-
-
-
-
6
7
-
-
I
=
9
11
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
C
=
3
13
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
-
-
30
-
-
-
75
48
30
-
-
-
-
-
-
-
-
-
-
-
-
-
-
15
THE VESICA PISCES
-
-
-
-
4
2
6
4
10
6
7
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
-
2+7
V
=
4
-
6
VESICA
59
32
5
-
4
2
6
4
1
6
7
8
9
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
-
15
THE VESICA PISCES
167
95
14
-
4
2
6
4
1
6
7
8
9
-
-
1+3
-
1+5
-
1+6+7
9+5
1+4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
14
14
5
-
4
2
6
4
1
6
7
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
5
5
5
-
4
2
6
4
1
6
7
8
9

 

 

-
-
-
-
-
THE VESICA PISCES
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
V
=
4
-
6
VESICA
50
23
5
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
4
15
First Total
158
86
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
6
-
-
-
O
=
6
2
1
H
8
8
8
-
-
-
-
-
-
6
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
6
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
6
-
-
-
P
=
7
10
1
P
16
7
7
-
-
-
-
-
-
6
7
-
-
I
=
9
11
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
C
=
3
13
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
15
THE VESICA PISCES
-
-
-
-
4
2
6
4
10
6
7
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
-
2+7
V
=
4
-
6
VESICA
59
32
5
-
4
2
6
4
1
6
7
8
9
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
-
15
THE VESICA PISCES
167
95
14
-
4
2
6
4
1
6
7
8
9
-
-
1+3
-
1+5
-
1+6+7
9+5
1+4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
14
14
5
-
4
2
6
4
1
6
7
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
5
5
5
-
4
2
6
4
1
6
7
8
9

 

 

-
-
-
-
-
THE VESICA PISCES
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
V
=
4
-
6
VESICA
50
23
5
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
4
15
First Total
158
86
19
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
6
-
-
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
6
-
-
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
C
=
3
13
1
C
3
3
3
-
-
-
3
-
-
6
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
6
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
P
=
7
10
1
P
16
7
7
-
-
-
-
-
-
6
7
-
-
O
=
6
2
1
H
8
8
8
-
-
-
-
-
-
6
-
8
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
I
=
9
11
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
15
THE VESICA PISCES
-
-
-
-
4
2
6
4
10
6
7
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
-
2+7
V
=
4
-
6
VESICA
59
32
5
-
4
2
6
4
1
6
7
8
9
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
-
13
-
15
THE VESICA PISCES
167
95
14
-
4
2
6
4
1
6
7
8
9
-
-
1+3
-
1+5
-
1+6+7
9+5
1+4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
14
14
5
-
4
2
6
4
1
6
7
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
5
5
5
-
4
2
6
4
1
6
7
8
9

 

 

RE 95 RE

REARRANGED NUMERICALLY REARRANGED

RE 95 RE

 

-
-
-
-
-
THE VESICA PISCES
-
-
-
-
1
2
3
4
5
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
V
=
4
-
6
VESICA
50
23
5
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
13
4
15
First Total
158
86
19
-
1
2
3
4
5
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
6
1
S
19
10
1
-
1
-
-
-
-
-
-
-
A
=
1
9
1
A
1
1
1
-
1
-
-
-
-
-
-
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
S
=
1
15
1
S
19
10
1
-
1
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
C
=
3
13
1
C
3
3
3
-
-
-
3
-
-
-
-
-
V
=
4
4
1
V
22
4
4
-
-
-
-
4
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
P
=
7
10
1
P
16
7
7
-
-
-
-
-
-
7
-
-
O
=
6
2
1
H
8
8
8
-
-
-
-
-
-
-
8
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
9
I
=
9
11
1
I
9
9
9
-
-
-
-
-
-
-
-
9
I
=
9
14
1
I
9
9
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
15
THE VESICA PISCES
-
-
-
-
4
2
6
4
10
7
8
27
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+0
-
-
2+7
V
=
4
-
6
VESICA
59
32
5
-
4
2
6
4
1
7
8
9
P
=
7
-
6
PISCIS
75
48
3
-
-
-
-
-
-
-
-
-
-
-
13
-
15
THE VESICA PISCES
167
95
14
-
4
2
6
4
1
7
8
9
-
-
1+3
-
1+5
-
1+6+7
9+5
1+4
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
14
14
5
-
4
2
6
4
1
7
8
9
-
-
-
-
-
-
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
15
THE VESICA PISCES
5
5
5
-
4
2
6
4
1
7
8
9

 

RE 95 RE

REARRANGED NUMERICALLY REARRANGED

RE 95 RE

 

 

Daily Mail. Tuesday. February 19, 2019

Page 60

QUESTION Has a circle always had 360 degrees?
THE short answer is yes. The ancient Egyptians were the first to divide a circle into 360 degrees, but they inherited their numerical system from Mesopotamia.
Mesopotamia was the area along the Tigris and Euphrates rivers that makes up a sizeable portion of modern-day Iraq. Regarded as the cradle of civilisation, it
was where farming, written languages and mathematics began.
The best known ancient civilisation from Mesopotamia is the Babylonians, and their first use of mathematics dates from between the fifth and third millennium BC.
The Babylonian system of mathematics is built on a base of 60 (we use a base of ten). From this we get 60 seconds in a minute and 60 minutes in an hour.
If we didn't have this base of 60, the design of clock faces would be very different. With a circular clock face of 360 degrees, each minute division equals 6 degrees exactly.
The Babylonians had a Iove of the number 60, perhaps because it can, be divided in so many ways (by one, two, three, four, five, six, ten 12, 15, 20 and 30) and still leave a whole number.

They passed this love of the number 60 to'the Ancient Egyptians, who found it worked for dividing a circle.
And 360 is also useful when it comes to dvision. Divide a circle into six and you get six equilateral, triangles, each with three internal angles of 60 degrees. A right angle, important for building pyramids and temples, is a quarter of a circle and is a convenient 90 degrees. The first calendars, also created by the Egyptians, had 360 days in a year, though this became problematic because it didnt match the Earth's orbit.

Bob Cubitt, Northampton.

The Babylonian system of mathematics is built on a base of 60 (we use a base of ten). From this we get 60 seconds in a minute and 60 minutes in an hour.

 

-
-
-
-
-
SECOND
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
E
5
5
5
-
-
-
-
1
C
3
3
3
-
-
-
-
1
O
15
6
6
-
-
-
-
2
ND
18
9
9
S
=
1
-
6
SECOND-
60
33
24
-
-
-
-
-
-
6+0
3+3
2+4
-
-
1
-
6
SECOND-
6
6
6

 

 

-
-
-
-
-
SECOND
-
-
-
-
-
-
-
3
S+E+C
27
18
9
-
-
-
-
1
O
15
6
6
-
-
-
-
2
ND
18
9
9
S
=
1
-
6
SECOND-
60
33
24
-
-
-
-
-
-
6+0
3+3
2+4
-
-
1
-
6
SECOND-
6
6
6

 

SECOND = 60 = SECOND

SECOND = 24 = SECOND

SECOND = 6 = SECOND

 

MINUTE = 82 = MINUTE

MINUTE = 28 = MINUTE

MINUTE = 10 = MINUTE

MINUTE = 1 = MINUTE

 

THE

HOURS OF HORUS

 

3
THE
33
15
6
5
HOURS
81
36
9
2
OF
21
12
3
5
HORUS
81
36
9
15
First Total
216
99
27
1+5
Add to Reduce
2+1+6
9+9
2+7
6
Second Total
9
18
9
-
Reduce to Deduce
-
1+8
-
6
Essence of Number
9
9
9

 

 

The ancient Egyptians were the first to divide a circle into 360 degrees

ET CIRCLE ELECTRIC CIRCLE ET

 

ELECTRIC = ET CIRCLE = ELECTRIC

 

E
-
5
-
-
ELECTRIC
-
-
-
-
-
-
-
2
E+T
25
7
7
-
-
-
-
1
C
3
3
3
-
-
-
-
1
I
9
9
9
-
-
-
-
1
R
18
9
9
-
-
-
-
1
C
3
3
3
-
-
-
-
1
L
12
3
3
-
-
-
-
1
E
5
5
5
E
-
5
-
8
ELECTRIC
75
39
39
-
-
-
-
-
-
7+5
3+9
3+9
E
-
5
-
8
ELECTRIC
12
12
12
-
-
-
-
-
-
1+2
1+2
1+2
E
-
5
-
8
ELECTRIC
3
3
3

 

ELECTRIC = ET CIRCLE = ELECTRIC

 

-
ELECTRIC
-
-
-
1
E
5
5
5
1
L
12
3
3
1
E
5
5
5
1
C
3
3
3
1
T
20
2
2
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ELECTRIC
75
39
39
-
-
7+5
3+9
3+9
8
ELECTRIC
12
12
12
-
-
1+2
1+2
1+2
8
ELECTRIC
3
3
3

 

 

-
ELECTRIC
-
-
-
5
ELECT
75
18
9
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
8
ELECTRIC
75
39
30
-
-
7+5
3+9
3+0
8
ELECTRIC
12
12
3
-
-
1+2
1+2
-
8
ELECTRIC
3
3
3

 

ELECTRIC = ET CIRCLE = ELECTRIC

 

-
-
-
-
-
ELECTRIC
-
-
-
E
-
5
-
1
E
5
5
5
T
-
2
-
1
T
20
2
2
-
-
-
-
-
-
-
-
-
C
-
3
-
1
C
3
3
3
I
-
9
-
1
I
9
9
9
R
-
9
-
1
R
18
9
9
C
=
3
-
1
C
3
3
3
L
=
3
-
1
L
12
3
3
E
=
5
-
1
E
5
5
5
-
-
39
-
8
ELECTRIC
75
39
39
-
-
3+9
-
-
-
7+5
3+9
3+9
-
-
12
-
8
ELECTRIC
12
12
12
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
3
-
8
ELECTRIC
3
3
3

 

ELECTRIC = ET CIRCLE = ELECTRIC

 

-
-
-
-
-
ELECTRIC
-
-
-
E
-
5
-
2
E+T
25
7
7
C
-
3
-
1
C
3
3
3
I
-
9
-
1
I
9
9
9
R
-
9
-
1
R
18
9
9
C
=
3
-
1
C
3
3
3
L
=
3
-
1
L
12
3
3
E
=
5
-
1
E
5
5
5
-
-
39
3
8
ELECTRIC
75
39
39
-
-
3+9
-
-
-
7+5
3+9
3+9
-
-
12
3
8
ELECTRIC
12
12
12
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
3
3
8
ELECTRIC
3
3
3

 

 

C
=
3
-
CIRCLE
-
-
-
-
-
-
1
C
3
3
3
-
-
-
1
I
9
9
9
-
-
-
1
R
18
9
9
-
-
-
1
C
3
3
3
-
-
-
1
L
12
3
3
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

 

-
-
-
-
CIRCLE
-
-
-
-
-
-
5
CIRCL
45
27
9
-
-
-
1
E
5
5
5
C
=
3
6
CIRCLE
50
32
32
-
-
-
-
-
5+0
3+2
3+2
C
=
3
6
CIRCLE
5
5
5

 

-
ELECTRICITY
-
-
-
5
ELECT
45
18
9
1
R
18
9
9
1
I
9
9
9
1
C
3
3
3
1
I
9
9
9
2
T+Y
45
9
9
11
ELECTRICITY
129
57
48
1+1
-
1+2+9
5+7
4+8
2
ELECTRICITY
12
12
12
-
-
1+2
1+2
1+2
2
ELECTRICITY
3
3
3

 

 

Eht Namuh, these words are our sacred covenant to thee
The who art thou that is thee,
To the mystery of that, the sacred nature of all that.
These words of service and duty are an offering
wrought in humble homage to that.
THAT,

of this and that, that is thee.
To all of that, and all of thee.
 
Then the Zed Aliz Zed occasioned the sacred incantations marking the spell of conjuration.
The evocation of an invocation, an intonation of wishful thinking
Calling in echo of that.
Seeking from within the here and now, that marks our desperate plight
the appearance of that, that is.
The sacred nature of that, out which such energised image of intent is spawned.
That, whose tangible emergence must always by its very nature, be a gift of the gods.
 
To

THAT,

the staggering beauty of which is endlessly new born, engendered from within the kaleidoscopic
cycle, of the near and far of an average everyday reality.

THAT

energy supreme, manifest within the twisting
turn of the here and now of the present, future, past tense, that is always today.
 
The seventh sleeper awaketh out the bedevilled narcotic of the living death. The darkness of the enchanted
dream, revealed to the light of the real reality. Behold Oh Namuh, the suspended animation of thy thrall is at
an end, The depths of an iced winters night is over, the ever present mystery of thy moment of forever dawns
upon thy brow, let truth be rightly outed, by the beloved progeny of that creative miracle.

The

living


THAT.

Know that from now on, your day to day, day, is not an average ordinary everyday reality of a day that ever
was. Today, exteriorised out the poverty of our struggle, arises the knowing of the living being that is reality.
The forever of its creative moment revealed.
 
Blessed is the creative and loving combustion of the Phoenix, every revolution a resolution, every resolution
a revelation.
 
Thus did the Zed Aliz Zed, harken to the hum of the sum

of the

THAT

And looking within the crystal gaze of the nowt nor summat, did reach out, and into, the domain of
Alcheringa's Cave, and by dint of treasured gifts bestowed, did take hold the various patterns of the living
interrelated strands of the unseen, and begin to weave upon that blinded 'I', a vibrating tapestry of truth, as to
the interior nature of that exteriorised reality known as the

THAT

of the

THOU.
 
That living, loving, creative, consciousness, the miracle of that.
THAT

metamorphic intelligent everything, forever spinning living energy, out the within, of its womb essence.
Born of its very being, the living ephemera that is the wonder of it all .
the creative imaginative magic of that,

the

THOU

of

THAT.


Within the kaleidoscopic cycle of the near and far of an average everyday reality,
arrives response, to the anguished petition of the wounded spirit of thee Eht Namuh.
 

Revelation Magnificat  

Today recognise a living truth. that you will, as if by magic see, in all good sense revealed.
A far yonder signal of, patent, patient, living pattern.
Before your very ' I's.
The physical wherewithal of an apparition.
A sighting from over here, of the where, over there.
The downside up of the upside down.
A sighting of topsy turvy land.
Oh Namuh
receive this blessed gift.
 
THAT
 
marks thy resurrection, and overturns thine headstone.
 
THAT
 
sounds the clarion call, thy moment of recognition.
 
Delivered, art thou, within the without of this and that, the measure of thy slumber deep.
It is the arrival of your call to arms against that foe of foes, thou art pleased to call thyself.
Arise Lotus eater, gather thy senses, duty summons, and notice of intended service has arrived .
The new born demanding succour, will rouse in thee sudden awareness, an awaking to the fullness that heralds
the dawn of a new day.
Now is the time of know time, time withdrawn, in favoured realisation of the constancy of intelligent creative
change.
The clock meanwhile midst tick and tock has stopped. and mother womb begat the bairn, that thou should'st
see in stark relief, and revelation bold,
the very nature of that supreme loving creativity.
 
THAT
 
is the energy of being.
The reality of being.
the omnipotent living reality.
 
THAT
 
The great sustainer.
The only lover.
The living loving energy of
 
THAT
 
Gifted to thee, that out the in did find thyself.
To

THAT,

and to thee.
For thou, art the he as in she of
 
THAT.
 
The creative expression of
 
THAT,
 
from which all are summoned.
The loving comprehension of
 
THAT
 
Out which we, amongst all else, are but delicate filigree of the living essence.
In homage, to
 
THAT
 
that is everything
For the love of that.
And the love of thee
 
 
The following document being the last will and testament of the one called The Journeyman.
 
These words of solemn address are directed to thee, world pilgrim, whose inner I, upon this work alight.
Waste not thine hard earned karmic fruits, dreamer of dreams, for within this reality of thine, and mine, there
is fundamental change of thought to be wrought. Through the creative efforts of others, themselves acting at the behest of the

THAT.

 

You have been passed the short straw dear friend, placed under challenge. Oh stranger that ever was, you, aye, thee, in all your glory, are spark charged to enter that living labyrinthís mysterious and secret amaze. Charged to let thy mind in freer association rove, alongside others of an ever growing company, choosing, and chosen to make that eternal journey. Obligated to know the truth of that state of affairs, the human condition.

To
THAT
Heart of Hearts.
I believe, help thou my unbelief.
You are going on a journey a very special journey, do have a pleasant journey do.

THE MAGIC MOUNTAIN

Reight, moon wanderers, said Zed Aliz Zed, after breaching the introduction, of the far yonder scribe.
Shall we all continue in uncommon consent, the furtherance of our experience, within creative living reality.
Here art thou, looking glass I looking, looking through 'fractured glass', miraging ably from out, that eye thou
art pleased to call thine own minds eye

My oh my, mine own minds I.

And that I, is it, even now restless, anguished, in agitation suffers. Or, is it gently sleeping down below,
amazingly frozen, locked in its eternal forever. But see the ascending sun doth cast its living light, upon thy
sensibilities, it is the time of Nature's loving longing, to further express, through sense common, 

 
the truth of the metamorphosis of thee, Eht Namuh.
You, the light hungry children of the sun, in eternal questing, towards
THAT
living comprehending all-intelligent pattern, existent within the greater scheme of things.
This work of many minds, will in the end be seen for what in truth it is, the work of one, the work of the
THAT.
Only when safely delivered of day to day false witness, should the below waterline symbols be used.
THAT
being the say of the way.
Az for the he, az in she, of your good selves, do az you wish Aladdin..

 

hee

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283 

'I stand before the masters who witnessed

the genesis, who were the authors of their

own forms, who wallced the dark, circuitous

passages of their own becoming. . . I stand

before the masters who witnessed the

transformation of the body of a man into the

body in spirit, who were witnesses to

resurrection when the corpse of Osiris

entered the mountain and the soul of Osiris

walked out shining. . . when he came forth

from death, a shining thing, his face white

with heat. . . I stand before the masters who

know the histories of the dead, who decide

which tales to hear again, who judge the

books of lives as either fun or empty, who are

themselves authors of truth. And they are

Isis and Osiris, the divine intelligences. And

when the story is written and the end is good

and the soul of a man is perfected, with a

shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

'I STAND BEFORE THE MASTERS WHO WITNESSED THE GENESIS, WHO WERE THE AUTHORS OF THEIR OWN FORMS, WHO WALKED THE DARK, CIRCUITOUS PASSAGES OF THEIR OWN BECOMING... I STAND BEFORE THE MASTERS WHO WITNESSED THE TRANSFORMATION OF THE BODY OF A MAN INTO THE BODY IN SPIRIT, WHO WERE WITNESSES TO RESURRECTION WHEN THE CORPSE OF OSIRIS ENTERED THE MOUNTAIN AND THE SOUL OF OSIRIS WALKED OUT SHINING... WHEN HE CAME FORTH FROM DEATH, A SHINING THING, HIS FACE WHITE WITH HEAT... I STAND BEFORE THE MASTERS WHO DECIDE WHICH TALES TO HEAR AGAIN, WHO JUDGE THE BOOKS OF LIVES AS EITHER FUN OR EMPTY, WHO ARE THEMSELVES AUTHORS OF TRUTH. AND THEY ARE ISIS AND OSIRIS, THE DIVINE INTELLIGENCES. AND WHEN THE STORY IS WRITTEN AND THE END IS GOOD AND THE SOUL OF A MAN IS PERFECTED, WITH A SHOUT THEY LIFT HIM INTO HEAVEN...'

 

The dictionary tells us that, separately from its modem usage, the word 'glamour' has a traditional meaning roughly equivalent to 'magic spell' or 'charm', and is the Old Scottish variant of: 'grammar . . . hence a magic spell, because occult practices were popularly associated with learning.'

Is it possible that men and women of great wisdom and learning cast a 'glamour' over the Giza necropolis at some point in the distant / Page 284 / past? Were they the possessors of as yet unguessed-at secrets that they wished to hide here? And did they succeed in concealing those secrets almost in plain view? For thousands of years, in other words, has the ancient Egyptian royal cemetary at Giza veiled the presence of something else - something of vastly greater significance for the story of Mankind?

One thing we are sure of is that unlike the hundreds of Fourth-Dynasty mastaba tombs to the west of the Sphinx and clustered around the three great Pyramids, the Pyramids themselves were never designed to serve primarily as burial places. We do not rule out the possibility that the Pharaohs Khufu, Khafre and Menkaure may at one time have been buried within them - although there is no evidence for this - but we are now satisfied that the transcendent effort and skill that went into the construction of these awe-inspiring monuments was motivated by a higher purpose.

We think that purpose was connected to the quest for eternal life wrapped up in a complete religious and spiritual system that the ancient Egyptians inherited from unknown predecessors and that they later codified in their eerie and other-worldly funerary and rebirth texts. We suggest, in short, that it was the goal of immortality, not just for one Pharaoh but for many, that the corridors and passages and hidden chambers and concealed gates and doorways of the Giza complex were ultimately designed to serve. Depicted in the Book of What is in the Duat as being filled with monsters, these narrow, claustrophobic, terrifying places, hemmed in on all sides by sheer stone walls, were in our view conceived as the ultimate testing ground for initiates. Here they would be forced to face and overcome their most horrible and debilitating fears. Here they would pass through unimaginable ordeals of the spirit and the mind. Here they would learn esoteric wisdom through acts of concentrated intelligence and will. Here they would be prepared, through practice and experience, for the moment of physical death and for the nightmares that would follow it, so that these transitions would not confuse or paralyse them - as they might other, unprepared, souls - and so that they might become 'equipped spirits' able to move as they wished through heaven and earth, 'unfailingly, and regularly and eternally'.1

Such was the lofty goal of the Horus-King's quest and the ancient / Page285 / Egyptians clearly believed that in order to attain it the initiate would have to participate in the discovery, the unveiling, the revelation, of something of momentous importance - something that would bestow wisdom, and knowledge of the 'First Time', and of the mysteries of the cosmos, and of Osiris, the Once and Future King.

We are therefore reminded of a Hermetic Text, written in Greek but compiled in Alexandria in Egypt some 2000 years ago, that is known as the Kore Kosmu (or Virgin of the World).2 Like other such writings, this text speaks of Thoth, the ancient Egyptian wisdom-god, but refers to him by his Greek name, Hermes:

Such was all-knowing Hermes, who saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew, he graved on stone; yet though he graved them onto stone he hid them mostly. . . The sacred symbols of the cosmic elements [he] hid away hard by the secrets of Osiris. . . keeping- sure silence, that every younger age of cosmic time might seek for them!

The text then tells us that before he 'returned to Heaven' Hermes invoked a spell on the secret writings and knowledge that he had hidden:

O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . free from decay throughout eternity remain, and incorrupt from time. Become unseeable, unfindable, for everyone whose foot shall tread the plains of this land, until Old Heaven doth bring forth meet instruments for you. . .'

What instruments might lead to the recovery of 'unseeable and unfindable' secrets concealed at Giza?

Our research has persuaded us that a scientific language of precessional time and allegorical astronomy was deliberately expressed in the principal monuments there and in the texts that relate to them. From quite an early stage in our investigation, we hoped that this language might shed new light on the enigmatic civilization of Egypt."

Page 139

8

The Clues of Duality

 

'Newton. . . was the last of the magicians. . .

Why do I call him a magician? Because he

looked at the whole universe and all that is in

it as a riddle, as a secret that could be read by

applying pure thought to certain evidence,

certain mystic clues which God had laid

about the world to allow a sort of

philosopher's treasure hunt to the esoteric

brotherhood. He believed that these clues

were to be found partly in the heavens. . .

partly in certain papers and traditions

handed down by the bretheren . . . By pure

thought, by concentration of mind, the

riddle, he believed, would be revealed to the initiate. . .'

John Maynard Keynes, The Royal Society, Newton Tercentenary Celebrations, 1947

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval 1996 Graham Hancock

Page 238 Chapter 15

WHEN THE SKY JOINED THE EARTH

'Great is the Cosmic Order, for it has not changed since the time of Osiris who put it there'

Ptahotep, a high priest of the Pyramid Age

"My kingdom is not of this world. . . ."

JOHN

18:36

 

 THE

HOLY BIBLE

Scofield Reference

Page 1141

JOHN AD 33

18:36

Jesus

answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence.

18:37

Pilate therefore said unto him, Art thou a king then?

Jesus

answered, Thou sayest that I am a king. To this end was I born, and for this cause came I into the world, that I should bear witness unto the truth. Everyone that is of the truth heareth my voice.

18:38

Pilate saith unto him, What is truth? And when he had said this, he went out again unto the Jews, and saith unto them, I find in him no fault at all.

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who wallced the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

 

 THE

HOLY BIBLE

Scofield Reference

Page 1141

JOHN AD 33

18:36

"Jesus answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence."

973-eht-namuh-973

 

 

 

 

yinyang

 

 

 

 

CHEIRO'S BOOK OF NUMBERS

Circa 1926

Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.

The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

 

 THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE

FLOOD

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
11
SORROW
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
8
STARTING
108
36
9
9
NARRATIVE
108
36
9
9
SEQUENCES
108
36
9
9
COMPLETES
108
36
9
9
AMBIGUOUS
108
36
9
7
JOURNEY
108
36
9

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
T
=
2
-
9
THIRTYSIX
152
53
8
-
-
7
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
7
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
4
LOVE
54
18
9
6
EVOLVE
81
27
9
4
LOVE
54
18
9
14
LOVE EVOLVE LOVE
189
63
27
1+4
-
1+8+9
6+3
2+7
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
2
L+O
27
9
9
2
V+E
27
9
9
14
LOVE EVOLVE LOVE
189
63
63
1+4
-
1+8+9
6+3
6+3
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
-
EVOLVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
14
LOVE EVOLVE LOVE
189
63
63
1+4
-
1+8+9
6+3
6+3
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

 

-
-
-
-
-
LOVE EVOLVE LOVE
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE EVOLVE LOVE
189
63
27
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
-
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
14
LOVE EVOLVE LOVE
189
63
27
-
1
2
9
16
20
18
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
1+6
2+0
1+8
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
1
2
9
7
2
9
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
14
LOVE EVOLVE LOVE
189
63
63
-
1
2
9
7
2
9
7
8
9
-
-
1+1
-
1+4
-
1+8+9
6+3
6+3
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
18
9
9
-
1
2
9
7
2
9
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
9
9
9
-
1
2
9
7
2
9
7
8
9

 

 

-
-
-
-
-
LOVE EVOLVE LOVE
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE EVOLVE LOVE
189
63
27
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
14
LOVE EVOLVE LOVE
189
63
27
-
1
2
9
16
20
18
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
1+6
2+0
1+8
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
1
2
9
7
2
9
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
14
LOVE EVOLVE LOVE
189
63
63
-
1
2
9
7
2
9
7
8
9
-
-
1+1
-
1+4
-
1+8+9
6+3
6+3
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
18
9
9
-
1
2
9
7
2
9
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
9
9
9
-
1
2
9
7
2
9
7
8
9

 

 

-
-
-
-
-
LOVE EVOLVE LOVE
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE EVOLVE LOVE
189
63
27
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
14
LOVE EVOLVE LOVE
189
63
27
-
1
2
9
16
20
18
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
1+6
2+0
1+8
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
1
2
9
7
2
9
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
14
LOVE EVOLVE LOVE
189
63
63
-
1
2
9
7
2
9
7
8
9
-
-
1+1
-
1+4
-
1+8+9
6+3
6+3
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
18
9
9
-
1
2
9
7
2
9
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
9
9
9
-
1
2
9
7
2
9
7
8
9

 

 

-
-
-
-
-
LOVE EVOLVE LOVE
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE EVOLVE LOVE
189
63
27
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
L
=
3
-
1
L
12
3
3
-
1
2
3
-
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
V
=
4
-
1
V
22
4
4
-
1
2
-
4
-
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
14
LOVE EVOLVE LOVE
189
63
27
-
1
2
9
16
20
18
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
1+6
2+0
1+8
-
-
-
E
=
5
-
6
EVOLVE
81
27
9
-
1
2
9
7
2
9
7
8
9
L
=
3
-
4
LOVE
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
11
-
14
LOVE EVOLVE LOVE
189
63
63
-
1
2
9
7
2
9
7
8
9
-
-
1+1
-
1+4
-
1+8+9
6+3
6+3
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
18
9
9
-
1
2
9
7
2
9
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
LOVE EVOLVE LOVE
9
9
9
-
1
2
9
7
2
9
7
8
9

 

 
 
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